Trombonist, singer. Traveling with Teagardens band, with her mother as band manager, Atwell remembers 21 straight days of one-night stands, playing in three states in one week, driving as much as 300 miles to play the next nights engagement. And wherever he is now, I hope the guy from Texas has a big sliphorn to make that noise that brings him peace. January 30, 2023 Jack took one look and busted out the back door. It was the first time I became aware of segregation, she says. The All Stars toured Europe and Asia in 1957-59 as part of a government-sponsored goodwill tour. Fort Lauderdale civic activist Vernajean Atwell already took part in making this documentary of her fathers life. I tried to get him on the WPA symphony where he deserved to be but the stinking little bureaucrat who directed the symphony refused to recognize the cymbalom as a civilized instrument. His widow, Addie, a pioneer woman aviator and big band manager, eventually moved from Broward to South Dade, and then back to Fort Lauderdale, where she lived with Atwell until she died penniless in 1997. More recently, she founded the Progressive International Civic Association, which lowered the crime rate in her inner-city neighborhood by 40 percent in two years. Structural Info Facts Pictures Filmography Known for movies And Jack had another drink which he poured down pronto. Jack Teagarden Wiki: Salary, Married, Wedding, Spouse, Family Weldon Leo "Jack" Teagarden (August 20, 1905 - January 15, 1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vocalist, regarded as the "Father of Jazz Trombone". My sources disagree concerning which band brought Teagarden to New York, and with whom he made his earliest recording, but there is agreement that he arrived in New York in 1927 and was playing with Ben Pollacks orchestra by 1928. That alone is well worth a chest full of medals. He was considered by many to be the greatest jazz trombonist of his era, but his style was so unusual that others did not follow his example. Teagarden also had a remarkable voice. In 1927, he went to New York City where he worked with several bands. He punched his solos with the brashness of a trumpet, a critic wrote some years ago, substituting for glides a series of triplets or runs designed to treat each note in the tonal scale as an entity. Always an innovator, Teagarden made history by removing the body of his horn and, using only his slide and mouthpiece, played an empty water glass stuck on the end of the tubing. [2] In late 1951, Teagarden left to again lead his own band. And Mom had to explain to me that they werent allowed in the room because they were black. From 1947 to 1951 he toured with the Louis Needless to add, the time Jack and his friends spent together was quite often on stand. The tune is one that we all know well (which is a help, of course, and one that Teagarden assumes), and, for his part of the performance, Jack gets just the first half of the length of tune, right after Armstrongs vocal course. For instance, Jack and crew jammed with the King of Cambodia who as clarinetist had jammed with his idol, Benny Goodman, when Benny had toured that area few years earlier. blues singers he listened to while growing up in Texas. You can help Wikipedia by expanding it. But Teagarden appears to have arrived in New York with a clear idea of how he wanted to sound, and although the three players do seem to have influenced each other somewhat, they each also retained their distinctive styles. In segregated America, their friends feared it would damage the two mens careers. During the recent Playboy Jazz Festival in Chicago, Teagarden and his gang came into town a couple of days early to help out on promotion for the event (by appearing on TV shows, radio interviews, and even a race track where he blew the call to the post), and to spend some time with many of his old friends who were playing in Chicagos jazz spots, music his element. He was such an excellent musician that youthful sibling Charlie (a fantastic trumpeter) was generally overshadowed. He was 58, the wire story said, and he had run up a lot of mileage since the year he left Texas at 15. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. Jack Teagarden was a trombone player, singer, and band leader whose career spanned from the 1. This article was most recently revised and updated by, https://www.britannica.com/biography/Jack-Teagarden, All About Jazz - Biography of Jack Teagarden, Texas State Historical Association - The Handbook of Texas Online - Biography of Weldon Leo Teagarden, Jack Teagarden - Student Encyclopedia (Ages 11 and up). And beyond that, Jack had been a loner ever since he blew the scene down Texas way at 15 and went out to try the taste of the world. Some sources claim his unusual style of trombone playing stemmed from the fact that he began playing before he was big enough to play in the farther positions. Updates? Pollack's recordings were Teagarden's first. Among his most famous recordings areThe Sheik of Araby, Stars Fell on AlabamaandBasin Street Blues. His brothers, Trumpeter Charlie and drummer Clois, have played on stand with him, off and on during the decades Jack has been blowing jazz. It is also unlike the original since it is complete in itself and not an uncompleted half of something. JP Jazz Archive /Redferns. Louis Armstrong, Benny Goodman, Red Nichols and Eddie Condon. The placards urge patrons to write their con gressman protesting the tax which has hurt the means of livelihood of many musicians and entertainers. His health grew worse and he suffered recurring bouts of flu and pneumonia. But they could not keep him from sitting on a fence near his home and listening to theNegroes singing in a church next door. Two sons from his marriage, Jack Jr. and Gilbert became musicians. Although has received no medals in this country yet; he has achieved a place of distinction in jazz shared by very few other musicians. Lots of clips of Jack, including home movies, as well as interviews with musicians who worked with him, . Known affectionately as Mr. As a subscriber, you have 10 gift articles to give each month. The masterful Teagarden was an American original whose style and vocals epitomized authenticity both in their execution and sound. In the 1950s, he recorded six albums for Capitol, and they are reissued in full . I was having a couple of drinks With Bud Freeman and Pee Wee Russell one evening Pee Wee began talking about a trombone player, the greatest thing he had heard in this life. And when hed done with that, he started on the blues, still by himself. Albums include Pop Music: The Early Years 1890-1950, Mis'ry and the Blues, and The Golden Years. Eddie Shields, the circulation driver who writes songs, phoned the minute he read about Jack. There have been times when Teagarden didnt need a rhythm section. Born: August 20, 1905Died: January 15, 1964. Visiting band leader Paul Whiteman heard the group there and offered Teagarden a position in his New York orchestra. On the spot, Teagarden invents a beautiful, original melody, with some brief references to the familiar tune, but one that is very superior to it in almost every way. Jack Teagarden, byname of John Weldon Teagarden, (born August 20, 1905, Vernon, Texas, U.S.died January 15, 1964, New Orleans, Louisiana), American jazz trombonist, unique because he developed a widely imitated style that appeared to have arrived fully formed. When in 1951 he left Armstrong and with his wife Addie, who became business manager, formed the sextet, he had settled into the life of a responsible jazz musician and family man with Addie and Joe Teagarden, his newborn son. In 1938 he left Whitemans band to form his own. Looks like we don't have trademarks information. He was an inventor, redesigning mouthpieces, mutes, and water valves Come to think of it, that sounds like Jack. He briefly visited a hospital then was found dead in his room at the Prince Monti Motel in New Orleans on January 15. - Jack Sohmer. Teagardens gently-articulated style gives the trombone a lyrical, almost vocal quality (without having the extremely sweet ballad-type sound that, for example, Tommy Dorsey made famous) and has in fact been compared to his own (Teagardens) singing style. According to various biographies, as a boy he spent hours engrossed in the black spirituals sung at a neighborhood church, and his music would he greatly influenced by them. I Ain't Lazy - I'm Just Dreamin'. He died in a motel room only hours after playing his last set from a chair because he was too weak to stand. Then in 47 when he joined Armstrong, Teagarden stepped up as top-ranking sideman, second only to the fabled Satchmoand more important able for the first time in his haphazard career to play the music that has made his name legendary in jazz annals. According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". The reunion at the Monterey Jazz Festival, with his brother Charlie, sister Norma, and even his mother, who played a few ragtime piano solos, is considered to be a celebration of the life of a great jazz musician. Leave a comment. Read Full Biography Overview Biography Discography Songs Credits Related Share on facebook twitter tumblr Credits (1-2,049 of 2,049) Save my name, email, and website in this browser for the next time I comment. Musician Barney Bigard once told her, You were the only person he could ever talk to., Bigard, from his book on Teagarden: He drank a lot, practically all the time in fact, but he always could play and never showed that liquor He was a quite man. On short notice, he joined Roger Wolfe Kahn's orchestra for a recording datewearing the largest hangover on Manhattan Island, Kahn recalled later, yet reading the arrangements like a veteran and booting out a pair of choruses which were mildly sensational.. His birthplace was Vernon, Texas, and the date was August 20, 1905. What mattered was that Hack was a guy dedicated to the sound a hard-lipped genius can get out of a sliphorn. Required fields are marked *. Among the vintage giants of jazz, Jack port Teagarden had not been only the very best pre-bop trombonist (taking part in his instrument using the simple a trumpeter) but one of the better jazz performers too. His mother gave him early piano lessons, and his father, a bit of a musician himself, presented Jack with a trombone on his seventh Christmas. The film clip is all too brief: Louis Armstrong on trumpet and Jack Teagarden on trombone, in a dueling-banjos-style duet. Teagarden was not a successful band leader, which may explain why he is not as widely known as some other jazz trombonists, but his unusual singing style influenced several other important jazz singers, and he is widely regarded as the one of the greatest, and possibly the greatest, trombonist in the history of jazz. In 1933, after a brief stint in Mal Halletts band, he signed on with Paul Whitemans orchestra for five years. One moment, you will be redirected shortly. drinking, he died of a heart attack in New Orleans in 1964. [2] His brothers Charlie and Clois "Cub" and his sister Norma also became professional musicians. Our weekly newsletter highlights our top stories and includes a local jazz events calendar. Therefore he has to take something shorter than the original, and make it complete in itself yet not so final that what follows his solo will sound like padding. He places placards, printed at his own expense, on tables wherever he appears as a player but not a singer. He died only a few months later of pneumonia, at the age of fifty eight, in New Orleans. Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you. Hes that kind of person genuine-and unashamedly sentimental. While still in his childhood he moved to Oklahoma. Teagarden was buried in California. There is a select inner circle whose musicianship has defied the censorship of shifting fashions, and through a special sort of genius created for themselves a vast, impressive symbol synonymous with their name and art. See also At this point, he was also the grand old man of the instrument, well-respected both by traditionalists and (unlike many other traditionalist players) also by the more modern generation of trombonists. Such memories are the stuff that Jack Teagardens daughter dreams of saving. He went, it appears, to superhuman lengths to live up to what he has stated to nearly interviewer: I try to play what people like. Generally, what people seem to like is Teagarden. He told endless stories about a Texas piano player named Peck Kelley, and although almost no one else in jazz ever heard him play, Mr. Kelley became a legend. 78_somebody-loves-me_eddie-condon-and-his-orchestra-jack-teagarden-bobby-hackett-billy_gbia0195458b Location USA Scanner Internet Archive Python library 1.9.0 Scanningcenter George Blood, L.P. Harrison also played in the upper register of the instrument, so that he could play fast trumpet-style licks, but his playing is still firmly in the jazz brass tradition, with hard, clear articulations. His first public performances were in movie theaters, where he accompanied his mother, a pianist. First time I ever heard Jack Teagarden blow that big sliphorn was like maybe Teagarden appeared in the movies Birth of the Blues (1941), The Glass Wall (1953), and Jazz on a Summers Day (1959). He was an admired recording artist, featured on RCA Victor, Columbia, Decca, Capitol, and MGM discs. My Jack Teagarden Research at the IJS. Articles from Britannica Encyclopedias for elementary and high school students. While shaking his head in amazement at the creative prowess of the trombonist, Williams also delineated some of the mans superb talent. It keeps me busy explaining why I cant.. Sorry! In a voice segment spliced into the documentary, Teagarden says black bandleader Fletcher Henderson and musician Fats Waller befriended him in New York, and took me places I dont think any other white boy had ever been., From there his career soared. "name" : "Jack Teagarden", The Scotch is the same in all these places., Jack sighed, You dont understand. His father, an amateur comet player, worked in the oilfields, and his mother was a local piano instructor and church organist. Tall, gangling, his horn wrapped in newspaper, Teagarden asked for an audition. His mother was a piano teacher, and Teagarden began playing piano by the age of 5, the baritone horn by 7, and the trombone by 10. The musicians thought he was some kind of gag. Although Teagarden enjoyed a long career, it was at this point that he had the greatest effect on the history of jazz. But my friends in the band didnt come over and say hello. His voice, with an engaging Southern drawl, ranged somewhere between the rasp of Louis Armstrong and the smooth sound of Bing Crosby, with whom he was professionally associated from time to time. In past due 1933, when it appeared as though jazz could not capture on commercially, he authorized a five-year agreement with Paul Whiteman. He said back in May of 1939 he was driving home from NBC after plugging a song he wrote, You Know, Just As Well As I Know.. The effect is a stifled, plaintive sound which makes the instrument sound even more like a blues singer. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. It is too often for the jazz musician a case of a quick fling before the footlights, then oblivion. Teagarden has appeared in movies, has sung on the air and on TV, and has recorded actually thousands of sides. Anyone can read what you share. "url": "https://www.allaboutjazz.com/musicians/jack-teagarden" Jacks brother, Charlie Teagarden, played trumpet off and on in Jacks bands and did freelance work for several well-known bandleaders, including Paul Whiteman, Jimmy and Tommy Dorsey, and Bob Crosby. She also worked with disadvantaged youth. Later the same year (1921) Teagarden joined Peck Kelleys Bad Boys in Houston. The Fort Lauderdale daughter of jazz trombonist Jack Teagarden recreates the glory days of jazz in the life story or her legendary father. He performed with Eddie Condon, Bix Beiderbecke, Paul Whiteman, Jimmy Dorsey, Tommy Dorsey, Bob Crosby, Eddie Lang, and many others. But their music, and their lifelong friendship, rose above the bigotry. Weldon Leo "Jack" Teagarden (August 20, 1905 - January 15, 1964) was an American jazz trombonist and singer. Looks like we don't have salary information. Please refer to the appropriate style manual or other sources if you have any questions. Teagarden became the first white musician to travel on the road with an all-black band. The next year he went to New York on his own. He stole this from the WPA and presented it to me as a token of fealty and I took it backstage at the Palace and gave it to Jack Teagarden. All the music I've played has finally paid off, he said. Although Whitemans Orchestra do feature Teagarden occasionally (and he previously a limited period in 1936 using a little group in the music group, the Three Ts, along with his sibling Charlie and Frankie Trumbauer), the agreement effectively held Teagarden from venturing out by himself and learning to be a star. Born on Aug. 29, 1905, Teagarden learned trombone by the age of 10. I feel that I did some good for America.. But the cymbalom chap did manage to pick the books he wanted to bind, and the first tome he put back into reading condition was a treatise on the sliphorn. He played it solo, and Im telling you he knocked us out. After working in the Southwest and in Mexico with pickup bands, he came to New York in 1927. Many of his best records were made with Red Nichols. Born in Vernon, Texas, on Aug. 20, 1905, he started on the trombone at the age of 7. Jazz critic Martin Williams recently flipped in print over a solo passage Teagarden played on a concert recording made well over ten years ago. Next, a poignant obituary written by columnist Tony Weitzel for the Chicago Daily News, January 17, 1964. the tootler from Texas strode in. He was 58 years old and had reportedly been suffering from pneumonia. Mr. Teagarden had shorter arms than most trombone players and as a result did not use the swooping, thrusting style of many of his colleagues. See the article in its original context from. The reaction to his unique style of trombone- playing appears to have been both immediate and widespread. I dont want a coat, she wailed. Being a friend and not a snoop I never dug into Jacks personal affairs so I do not know whether he stayed married very long to that cute little blond girl or not. In 1931, Teagardens early orchestra recorded the tune Chances Are with Fats Waller playing piano and Jack singing and playing trombone. The group traveled to Europe in the postwar achieving great success. He was also among the first white jazz musicians to record with black players. During the next 12 years Mr. Teagarden played with bands headed by Ben Pollack, Mal Hallet and Paul Whiteman. Ben Pollack invited him to join his orchestra in 1928, and that year Teagarden recorded the first of what would be scores of records,Just Roll Along. He was just downing the dregs of it when the door of the dive opened and in burst a very cute little blond. Only this is no duel. [2] In the mid-1920s he started traveling widely around the United States in a quick succession of different bands. We have been all over this silly town. Such a man is Jack Teagarden, in the New Orleans vanguard when Dixieland was in its heyday, and after thirty years still its most enthusiastic and gifted exponent. As one columnist put it, his visit was worth ten diplomats. From a down-on-his-luck jazzman to senior statesman and musician extraordinary, Teagarden has come up the hard way to stand as one of the truly permanent figures in American jazz. he is survived by his widow, Adeline; three sons; a daughter; his mother; brother Cubby, and a sister, Norma. Tell us why you would like to improve the Jack Teagarden musician page. http://www.allmusic.com/artist/mn0000124675, Earl Hines Dixieland Al - At the Olympia Theatre, TV Movie documentary performer: "The Waiter, the Porter and the Upstairs Maid", "Jeepers Creepers", "Fare-Thee-Well to Harlem", performer: "You Rascal You", "After You've Gone", Documentary performer: "I Swung The Election", performer: "A Hundred Years from Today" 1933, Short performer: "The Skiphorn King of Polaroo", performer: "The Blues" / writer: "The Blues", performer: "The Waiter, and the Porter and the Upstairs Maid", Short performer: "Two Sleepy People", "That's Right - I'm Wrong", "Washboard Blues", "Small Fry", "Rockin' Chair", "Stardust", "Lazy Bones", Ben Pollack and His Park Central Orchestra, Short performer: "My Kinda Love" - uncredited, Himself (as Jack Teagarden and His Orchestra). Teagarden left Pollack in 1933, and signed a five-year contract with Paul Whitemans orchestra. The secret, she says, was a lot of yelling and marching and to get the neighborhoods youth involved. He and Addie settled in California, and he formed a small band again. The world of jazz, like any part of show business, suffers as much from public fickleness as does, say, the bumbling lyrics of a Presley or Fabian (although one approaches art, the other embraces the soul of rockn roll). Armstrong apparently considered Teagarden a friend, not a rival, and they continued to work together from time to time. When hed done with that, he recorded six albums for Capitol, and they are 3.5mil eliptical. Ten diplomats of flu and pneumonia film clip is all too brief: louis Armstrong trumpet... Lot of yelling and marching and to get the neighborhoods youth involved stuff that Jack Teagardens daughter of! The life story or her legendary father the Jack Teagarden musician page heart attack in Orleans... Left Pollack in 1933, and water valves Come to think of it when the door of dive... 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